During the 1950s, Puente was at the height of his popularity, and helped to bring Afro-Cuban and Caribbean sounds, like mambo, son, and cha-cha-cha, to mainstream audiences. Puente was so successful playing popular Afro-Cuban rhythms that many people mistakenly identify him as Cuban. Dance Mania, possibly Puente's most well known album was released in 1958.[6] Later, he moved into more diverse sounds, including pop music, bossa nova and others, eventually settling down with a fusion of Afro-Cuban and Latin jazz genres that became known as "salsa" (a term that he disliked). In 1979, Puente won the first of five Grammy Awards for the albums A Tribute to Benny Moré, On Broadway, Mambo Diablo.