Sarah Jones's photographs address established pictorial genres and our associated expectations by paring back space, subject and gesture. 

The sequence of images chosen and arranged by the artist specifically for this publication is informed by Jones's interest in how we see and represent her chosen subjects, using tropes from the stereograph, the double, the still life and portraiture.

SARAH JONES

Recent diptychs of horses and rose bushes refer to the viewing of early stereographic prints and explore the potential for photography to reveal uncanny perspectives on a subject. In The Rose Gardens series, Jones photographs the front and back of rose bushes in public gardens so that viewers can contemplate both viewpoints simultaneously.

I CHOSE BECAUSE: How she uses repetition /Visual similarity to scans / Variety of subjects suggest a box of memories or an archive.