Hans Richter: Filmstudie [1925] 3.44

Richter experimented with form and colour using abstractions, then adding experimental cinematography

- fragments of images that (after 50 years of 24 frames/sec media exposure) seem quite usual now, but must have been quite shocking to the sensibility of the time, which expected films to tell stories, not to be non-linear, allusive, symbolic, motion-abstractions.

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