Sign in to FlowVella

Forgot password?
Sign in with Facebook

New? Create your account

Sign up for FlowVella

Sign up with Facebook

Already have an account? Sign in now


By registering you are agreeing to our
Terms of Service

Share This Flow

Loading Flow

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

Downloading Image /

loading...

TECHNOLOGY- 1984

• Chooses to employ technology as a tool for Big Brother to use in his oppression of society.

• Serve as a constant reminder of the psychological control of Big Brother.

• Book two, chapter 10 we see the fear that Winston and Julia respond with to the repetition of the phrase “You are the dead.”

• Leads to a haunting representation of the almost omniscient and omnipresent nature of Big Brother.

• This is slightly different to Lang’s interpretation of the use of technology, as the telescreens never become independent entities; they instead become tools to firstly represent the constant surveillance and suppression of free will, and secondly to distance the people from the possibility of rebelling against Big Brother.

• By never allowing the individuals access to the vast and powerful idea of Big Brother, they are left in a constant state of vulnerability, hence lessening the possibility of rebellion.

Downloading Image /

loading...

Downloading Image /

loading...
  • 1

  • 2

  • 3

  • 4

  • 5

  • 6

  • 7

  • 8

  • 9

  • 10

  • 11

  • 12

  • 13

  • 14

  • 15

  • 16

  • 17

Intertextual Perspectives: 1984 (George Orwell) and Metropolis (Fritz Lang)

By abbep17