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USERS' PORTRAITS
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A portrait is the most immediate way for a sitter to present his or her self-image, profession, and knowledge. This section looks at representations of artists, artisans, and natural philosophers at work with their tools and instruments. Although not all portraits in the strictest sense, these prints and books present four ways in which individuals interact with tools to gain knowledge and produce artifacts. Together, they offer a variety of possible relationships between instruments and their users.
For a humanist such as Petrus Ramus, instruments are more akin to symbolic tokens that give credence to his intellectual authority. The frontispiece to the posthumous edition of Galileo Galilei’s work elevates his telescope from a historical artifact to a tribute of divine knowledge. Jacopo Barozzi da Vignola and Rembrandt van Rijn present fundamentally divergent views of what an artist is and how he uses tools to create work. What they all share with one another, however, is a prevailing culture of productivity, creativity, and experimentation, and a belief in the infinite potential of instruments to create knowledge.
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