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This striking full-page engraving presents a draftsman operating the drawing instrument constructed by Jacopo Barozzi da Vignola, Renaissance architect and the author of this treatise on perspective. Linear perspective is articulated in the checkerboard paving of the ground and the diagonal sightline from the artist and his enormous apparatus to the female statue. Not merely an intermediary between the artist and his model, the instrument also plots a trajectory from the preliminary sketch held by his assistant to accomplished works of art, represented twice by the elevated sculpture and the mountainous landscape beyond.
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After Jacopo Barozzi da Vignola
Italian, 1507-1573
Vignola’s drawing instrument
Page 60 from Jacopo Barozzi da Vignola, Le due regole della prospettiva pratica, 1644
Engraving
Sarah Campbell Blaffer Foundation
2012.4
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