Sign up for FlowVella
Sign up with FacebookAlready have an account? Sign in now
By registering you are agreeing to our
Terms of Service
Loading Flow
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
The various 17th- and 18th-century editions and translations of Antonio Neri’s treatise on glassmaking, originally published in 1612 in Florence, made the book a standard reference for almost all early modern glassmakers. This singular page of neatly aligned sculpting tools and instruments placed above and within a furnace in Amsterdam is devoid of artisans and workers. The unusually empty composition gives emphasis to the variety of tools and the furnace as a working environment.
BACK
Anonymous
Glassmaking tools and the Glassmaking Furnace in Amsterdam
Plate 4 from Antonio Neri, et al. Art de la verrerie, de Neri, Merret et Kunckel. Augquel …., 1752
Engraving
Sarah Campbell Blaffer Foundation
2015.1
EXPLORE
LEARN MORE
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
Downloading Image /
1
2
3
4
5
6
7
8
9
10
11
12
13
14
15
16
17
18
19
20
21
22
23
24
25
26
27
28
29
30
31
32
33
34
35
36
37
38
39
40
41
42
43
44
45
46
47
48
49
50
51
52
53
54
55
56
57
58
59
60
61
62
63
64
65
66
67
68
69
70
71
72
73
74
75
76
77
78
79
80
81
82
83
84
85
86
87
88
89
90
91
92
93
94
95
96
97
98
99
100
101
102
103
104
105
106
107
108
109
110
111
112
113
114
115
116
Powered by FlowVella © 2024 Terms
FlowVella